From the Chief Editor

From the Chief Editor

Ljudmila N. Shaimukhametova

5-6

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New Names

New Names

7

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International Division

International Division

Ildar D. Khannanov

8

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Let's Welcome the Guests!

Truth, Lies and Ignorance In Contemporary Music-Historical Investigation

Michael Beckerman

9-17

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Horizonts of Musicology

Aspects of Musical Meaning in the Works of American and Western-European Music Theorists of the 1990–2000s

Ildar D. Khannanov

18-28

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Musical Cultures of Russia

Genre Definition of the "Victory Verses on the Poltava Celebration"

Vera N. Demina

29-36

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Manifestations of Mobility of Rhythmic Structure in the Epic Songs of Pomorye

Julia I. Kovyrshina

37-44

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To the Question of the Origins of the Musical Instruments of Saami

Igor V. Solovyov

45-51

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Uzlau: the Phenomenon of Musical Performance of the Bashkirs

Nelly V. Akhmetzhanova, Galiya R. Bayazitova

52-56

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"Kongurai" an Essay in Intonatsia Analysis

Ayasmaa D.-B. Mongush

57-60

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Musico-Poetic Images in the Adyge Epic Poem Nartu

Ljudmila Kh. Shauzukova

61-67

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The Sound Image of Piano in the Works of Victor Platonov

Svetlana V. Platonova

68-77

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Composer and Folklore

Realization of the Mytho-Poetic Spell Universum in the Vocal Cycle of Margarita Kesareva "The Ural Spells"

Olga V. Schulikova

78-85

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The Use of Folk Style in Three-Stringed Domra Concertos by Russian Composers of the Latter Half of the 20th Century

Yevgeniy A. Volchkov

86-91

On the Role of Timbre Expressivity in Modern Compositions for Domra

Yekaterina G. Skriabina

92-95

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Artistic World of Musical Piece

Reflection of Time in the Works of Russian Composers

Natella V. Tchakhvadze

96-101

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Mussorgsky as a Child Psychologist

Iza A. Nemirovskaya

102-110

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Poetics and Semantics of the Musical Text

The Characters and Acting Figures of the Piano Pieces for Children by Sophia Gubaidulina

Irina R. Basharova

111-117

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Contrast in the Titles of Musical Works

Ljudmila M. Kudinova

118-122

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Musical Text and its Performer

Mozart's Sonatas for Piano and Violin the Mirror of Editions

Vyacheslav V. Yesakov

123-130

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The Symphony of a Virtuoso: the Fourth Violin Concerto of Henri Vieuxtemps

Alexander V. Anisimov

131-137

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Musical Culture of the Peoples of the World

Japanese and Russian, Mutual Influences of Two Musical Cultures

Risa Moriya

138-144

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The Role of Poetry of Luis Carlos Gonzales in the Development of the Genre of Bambuco

Victoria Gumennaya

145-149

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To the History of Genre Tarona in the System of Maqamat

Farogat A. Azizi

150-156

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Music of the Verse. A Poetic Page

Music of the Verse. A Poetic Page

157-158

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History of Western Music

The Idea of the Universe in Gaffurio's Treatise De Harmonia in the Aesthetic Context of Renaissance Humanism

Elena A. Samarina

159-165

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The Role of Rhetoric and Homiletic in the Formation of Metatext of the Protestant Chorale

Galina N. Dombrauskene

166-170

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The Art Songs of W. A. Mozart: Traditions and Innovations

Sergey V. Tarasov

171-176

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Aesthetics of Jazz: Pro et Contra

Svetlana A. Amirkhanova

177-180

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Technique of Composition of the 20th Century

Creative Method of Karlheinz Stockhausen: the Form-Schemes, Formulae and Superformulae in the Composer's Works

Natalia V. Sannikhova

181-187

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The Music of the Sacred Words: on the Role of the Word in Arvo Part's Tintinnabuli Works

Olga V. Osetskaya

188-192

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The Method of "Breathing" Mode in a Piano Piece "Chameleon" by Alexander Izosimov

Natalia V. Klimova

193-198

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Dissertation Councils of Russia

Dissertation Councils of Russia

199-201

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Conferences, Seminars and Symposia

Conferences, Seminars and Symposia

202-206

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News of the International Division

News of the International Division

207-209

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Musical Theater

Dead Souls of Rodion Schchedrin: the Mythopoetics of the Mass Scenes

Ljubov A. Serebryakova

210-221

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Screen Music. Musical Animation

Musical Animation: Opera and Ballet

Svetlana S. Sevastiyanova

222-232

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Music of Bizet/Schchedrin in the Animation Film of Harry Bardin (to the Question of Reinterpretation)

Paulina S. Volkova

233-238

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Art Managment

A Musical Producer in the Show Business and in the Academic Art

Oleg V. Belotserkovsky

239-242

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Innovation in Musical Education

On A. B. Marx, Nikolas Zaremba and Programmed Teaching

Elena E. Polotskaya

243-247

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On the Project "Musical Cultures of Finno-Ugric World"

Natalia S. Mikhajlova

248-252

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Musical Education in the Context of Contemporary Model of Musical Culture

Galina R. Tarayeva

253-259

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Announcement

Анонс

260-264

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