DOI: https://doi.org/10.17674/1997-0854.2019.4

Published: 2019-12-20

Full Issue

FULL ISSUE № 4 2019 (Русский) Abstracts Contributors

Sacred Music

The Evolution of Mozart’s Church Music Style (on the Example of the “Litaniae Lauretanae” K. 125, K. 243)

Olga A. Urvantseva

127-137

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The Realization of the Church Reading and Singing Particularities of the Russian Orthodox Christian Tradition in Sergei Rachmaninoff’s Sacred Works

Mikhail L. Zyryanov

138-147

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Russian Music History

Music of Victory Celebrating Holidays from the 13th to the 19th Centuries

Vera N. Dyomina

120-126

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History of Western Music

Benedetto Marcello. Concerning the Issue of Universalism of the Personality

Raisa G. Shitikova, Elena E. Roshchina, Yulia Yu. Yakovenko

148-157

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Сultural Heritage in Historical Perspective

The “Large Form” in Russian Rock Music of the 1970s and 1980s (on the Example of the Music of the VIE “Pesnyary”)

Elena A. Savitskaya

167-178

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International Division

Interview with Charles Wuorinen

Anton A. Rovner

46-56

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The Reception of Russian Music in Riga During the 1860s and 1870s: The Characteristic Opinions Manifested in Press Reviews

Baiba Jaunslaviete

57-64

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A Brief Narrative of the Third Position as the Initial Position for Beginning-Level Violin Instruction

Eylem Arıca

65-72

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Performance-Related Solutions of the Graphic Structures of Haydn’s Clavier Sonatas

Amina I. Asfandyarova

73-81

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About Studying the Traditional Singing Tradition of the Vepsians in the Context of Cognitive Ethnomusicology

Svetlana V. Kosyreva

82-89

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Musical Culture of the Peoples of the World

Characteristics of Postmodernism in Composition Techniques of the Opera “Farewell to Cambridge”

Linji Zhu

102-110

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The Specificity of Work with Texts in Tan Dun’s Early Operas by. Concerning the Issue of Reviving the Opera Genre in Works of American Composers at the Turn of the 20th and 21st Century

Elena V. Kiseyeva, Vasily Yu. Kiseyev

111-119

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Musical Genre and Style

About the Role of the Violin and the Clavier in Joseph Haydn’s Instrumental Concertos

Veronika M. Akshentseva

192-204

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The National-Historical Ballad in the Musical Art of Romanticism: Towards Posing the Problem

Olga V. Begicheva, Liudmila P. Kazantseva

205-215

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About the National Specificity and Traditions of the Genre in the Sonatas for Cello and Piano by Composers from the Republics of the USSR

Olga N. Gudozhnikova

216-224

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Music in the System of Culture

The New Ideology of Musical Theater and its Manifestation in the Works of Heiner Goebbels

Alexandra V. Krylova

225-234

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Musical Historiography

Genrich Orlov’s Academic Style as a Phenomenon of Russian Culture in the Second Half of the 20th Century

Lyubov A. Kupets

179-191

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Scholarly Schools of Russia

The Musicological School of Liudmila Kazantseva: The Experience of a Decade

Polina S. Volkova

90-101

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Reviews

A Unique Project: First Editions

Tatiana V. Safonova

235-238

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Music Theory

Concerning the Issue of Interaction between the Melodic Element and Harmony in Sergei Rachmaninoff”s Works

Oksana E. Sheludyakova

158-166

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Artistic World of Musical Piece

Alexander Pushkin’s Ballad “The Song of the Sage Oleg” in the Artistic Rendition of Nikolai Rimsky-Korsakov and Vasily Vasnetsov

Olga V. Begicheva

8-16

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“Francesca da Rimini” by Sergei Rachmaninoff in its Connections with the Pyotr Tchaikovsky’s Opera Works

Antonina L. Makarova, Lyubov A. Serebryakova

17-26

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The Temporal Structure of the Plotline of Mikhail Glinka’s Opera “A Life for the Tsar” as a Factor of Ideal-Artistic Integrity

Marina A. Sidorova

27-35

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The Intertextual Conception of Sergei Taneyev’s “Oresteia”: In Search for the Author’s Meaning

Natalia V. Korolevskaya

36-45

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