Published: 2020-12-21

Full Issue

PDF №4-2020 (Русский)

Horizonts of Musicology

About the Theory of National Music: Towards a Methodology of Comparative Study of Musical and Poetic Folklore Systems

Mikhail G. Kondratyev

8-19

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The Complex Model of the Semantic Space of Music: Structure and Features

Irina B. Gorbunova, Mikhail S. Zalivadny

20-32

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Musical Cultures of Russia

Concerning the Issue of Studying the Specific Features of Intonating in the Finnish-Ugric Monody of the Improvisational Kind

Svetlana V. Kosyreva

33-49

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The Genre-Related and Stylistic Explication of the Song Tradition of the Belgorod Region: The Regional Aspect

Mikhail S. Zhirov, Natalia S. Kuznetsova, Olga Ya. Zhirova, Tatiana A. Selyukova

50-58

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Sacred Music

The Inexhaustible Resources of Church Art

Галина В. Алексеева

59-67

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Music in the System of Culture

A Unique Epoch of European Civilization. Towards the 250th Anniversary of Beethoven’s Birth

Alexander I. Demchenko

68-76

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Mythological Models and Ritual Forms in Contemporary Musical Theater Performance

Elena V. Kiseyeva, Vera N. Dyomina

77-87

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The Eleventh Olympic Games In the Context of the Formation of the Art of Performance

Vera N. Dyomina

88-96

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International Division

The Cultural Arts Centre at Tumaini University Makumira in Tanzania: Educational Research in Action

Randall N. Stubbs, Yen-Lin Goh

97-113

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The Musical Culture of the Tatars of the Early 20th Century: Ilyasbek Kudashev-Ashkazarsky

Idris M. Gaziev

114-122

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Principles of Tonal Organization in Alexander Scriabin’s Works after Op. 58

Michael Kaykov

123-129

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Alexander Nemtin’s Concerto for Organ

Anton A. Rovner

130-144

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Conferences

The International Asian-Pacific Island Conference on Musical Therapy in Beijing: A New Measuring Reference

Alla V. Toropova, Wolfgang Mastnak

145-157

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“War and Peace”: the Notional Paradigm. Following the Second International Scholarly Forum “Dialogue of the Arts and Artistic Paradigms” (“SCIENCEFORUM PAN-ART”)

Oksana S. Barabash

158-172

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History of Western Music

Concerning the Issue of the Main Protagonist in 17th Century Italian Oratorio

Grigory R. Konson

173-186

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Theory and History of Culture

Spirituality in the Aspect of Art

Polina S. Volkova, Viktor I. Shakhovsky

187-198

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National Musical Cultures

Concerning the Issue of Musical Self-Organization of Epic Art (by the Example of the Azerbaijani Heroic Epos)

Kamila H. Dadash-zade

199-205

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Folk Music Revival and Contemporary Tendencies of the National Traditions of Kazakhstan’s Musical Culture

Sajana S. Murzaliyeva, Galiya T. Akparova

206-216

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The Contemporary Kobyz School of Kazakhstan (Concerning the Issue of Historical Connections and Perspectives)

Aigerim A. Karsakbayeva, Raushan K. Jumaniyazova

217-224

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Musical Genre and Style

The Vocal Symphony in the Interpretation of Leif Segerstam and Pehr Henrik Nurdgren

Irina V. Koposova

225-240

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Performing Arts

“Il Mio Tesoro” by Wolfgang Amadeus Mozart: The Individual Features of Breath Control by Tenor Singers upon Performance of Vocalizations

Vsevolod E. Kuzmin

241-249

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Music Theory

The Interaction of the Tonal-Harmonic and the Monodic Principles in the Melodicism of Anton Bruckner (by the Example of the Andante from the Fourth Symphony)

Yuri K. Zakharov

250-257

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Modal Archetypes in the Traditional Music of the Buryats

Lidiya D. Dashieva

258-265

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From the Editorial

About the corrections and specifications to Eylem Arıca’s article “A Brief Narrative of the Third Position as the Initial Position for Beginning-Level Violin Instruction” published in the journal “Problemy muzykal'noj nauki / Music Scholarship” in issue N

Eylem Arıca

266

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