No. 3 (2020): Problemy Musical’noy Nauki / Music Scholarship | Music Scholarship / Problemy Muzykal'noj Nauki

Musical Ekphrasis and the Prospects of Intermedial Research

Tatiana V. Tsaregradskaya

7-16

PDF (Русский)

Musical Scales with Pythagorean Intervals

Sergei S. Nikolsky

17-23

PDF (Русский)

Computer Musical Technologies in the Development of Methods of Correction of Human Beings’ Stress Induced Conditions

Alexander I. Fedotchev

24-29

PDF (Русский)

The Anthropomorphic Qualities of Technology in the Postmodern and Post-Postmodern Culture

Nadezhda A. Tsareva

30-42

PDF (Русский)

Particular Features of the Theater Poster in Bashkiria in the Early 20th Century

Mars L. Akhmadullin, Elza E. Purik, Vilur R. Shakirov, Marina G. Shakirova

43-54

PDF (Русский)

Antonio Vivaldi’s “The Seasons” in the Reinterpretation of British Minimalist Composer Max Richter

Alina R. Izergina, Irina V. Alexeyeva

55-64

PDF (Русский)

Sampling as a Process of Integration of New Technologies in the Musical Culture of Kazakhstan

Olzhas M. Baibekov, Meruert S. Kurmangalieva

65-76

PDF (Русский)

The Role of Screen Images in Meredith Monk’s Musical Performances

Vasily Yu. Kiseyev

77-85

PDF (Русский)

Vladimir Dukelsky’s London Productions of the Second Half of the 1920s: From the Ballet a la Russe – To the English Thriller

Antonina S. Maksimova

86-95

PDF (Русский)

Screen Images in Contemporary Opera: Concerning the Issue of the Genre’s Renewal at the Turn of the 20th and 21st Centuries

Elena V. Kiseyeva

96-102

PDF (Русский)

Model and Concept in the Music Paradigm of Creativity

Bambang Sunarto

103-113

PDF

Opera Criticism in Russia in the Early 21st Century: Constructing the (Non-) Soviet Style

Lyubov A. Kupets

114-127

PDF

Valery Uspensky’s Contribution to the Formation and Development of the Art of Choral Music in the Russian Far East

Sergei N. Skorinov, Yana St. Kryzhanovskaya

128-143

PDF (Русский)

The Culturological Aspects of the Pedagogue Musician’s Professional Training in Cultural Higher Educational Institutes of the Russian Far East

Evgeniya V. Savelova, Nina Ph. Semyonova, Alexei V. Tyurin

144-156

PDF (Русский)

The Particular Features of Students’ Scholarly-Research and Artistic Activities from the 1960s to the 1980s by the Example of the Ufa State Institute of Arts
Pages of the annals of the Students’ Work on Scholarly Research (SWSR)

Mars L. Akhmadullin, Elvira D. Khadimullina, Ruslan R. Khadimullin

157-167

PDF (Русский)

Computer Music Technologies in the System of Present-Day Musical Education: An Attempt of Terminological Analysis

Irina B. Gorbunova, Konstantin Yu. Plotnikov

168-181

PDF (Русский)

About Instruments for Extending the Informational Space of the Artistic Higher Educational Institution

Svetlana V. Mezentseva

182-191

PDF (Русский)

The Specificity of Self-Realization of Adolescents with the Musical Type of Giftedness

Sergei I. Kudinov, Zulfiya R. Khayrova, Olga В. Mikhailova, Stanislav S. Kudinov, Irina B. Kudinova

192-203

PDF (Русский)

Letters to London: New Material about Sergei Rachmaninoff’s First Performance Outside of Russia

Vera B. Valkova

204-218

PDF (Русский)

Transformation of Orchestration in Rachmaninoff’s Rhapsody on a Theme of Paganini and Jazz Idioms

Vadim A. Rakochi

219-230

PDF (Русский)

Full Issue

Horizonts of Musicology

Musical Ekphrasis and the Prospects of Intermedial Research

Musical Scales with Pythagorean Intervals

Computer Musical Technologies in the Development of Methods of Correction of Human Beings’ Stress Induced Conditions

Theory and History of Culture

The Anthropomorphic Qualities of Technology in the Postmodern and Post-Postmodern Culture

Particular Features of the Theater Poster in Bashkiria in the Early 20th Century

Music in the System of Culture

Antonio Vivaldi’s “The Seasons” in the Reinterpretation of British Minimalist Composer Max Richter

Sampling as a Process of Integration of New Technologies in the Musical Culture of Kazakhstan

The Role of Screen Images in Meredith Monk’s Musical Performances

Musical Theater

Vladimir Dukelsky’s London Productions of the Second Half of the 1920s: From the Ballet a la Russe – To the English Thriller

Screen Images in Contemporary Opera: Concerning the Issue of the Genre’s Renewal at the Turn of the 20th and 21st Centuries

International Division

Model and Concept in the Music Paradigm of Creativity

Opera Criticism in Russia in the Early 21st Century: Constructing the (Non-) Soviet Style

Music Education in Russian Regions

Valery Uspensky’s Contribution to the Formation and Development of the Art of Choral Music in the Russian Far East

The Culturological Aspects of the Pedagogue Musician’s Professional Training in Cultural Higher Educational Institutes of the Russian Far East

The Particular Features of Students’ Scholarly-Research and Artistic Activities from the 1960s to the 1980s by the Example of the Ufa State Institute of Arts
Pages of the annals of the Students’ Work on Scholarly Research (SWSR)

Information Technology in Music Education

Computer Music Technologies in the System of Present-Day Musical Education: An Attempt of Terminological Analysis

About Instruments for Extending the Informational Space of the Artistic Higher Educational Institution

Interdisciplinary Studies in the Music and Psychological Sciences

The Specificity of Self-Realization of Adolescents with the Musical Type of Giftedness

History and Theory of Music

Letters to London: New Material about Sergei Rachmaninoff’s First Performance Outside of Russia

Transformation of Orchestration in Rachmaninoff’s Rhapsody on a Theme of Paganini and Jazz Idioms