N. Tcherepnin and the New Russian Ballet of the Early 20th Century
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Abstract
The article is devoted to the issue of the Russian ballet of the turn of the 20th century. The author emphasizes the role of the composer of a second tier, N. Tcherepnin. The author suggests, however, that in his ballets the turn from the old ballet tradition to a the new was introduced and substantiated. On the basis of the analysis of Tcherepnin’s earlier works the author finds out that the main features of the new ballet is the form of one-act symphonic composition, a new type of a dance-music interaction, the World of Art’s idea of art consolidation under the aegis of painting, the renovation of the world of images, and the means of expression as a result. All these were formed in the ballet theatre of Tcherepnin. The author also traces the line of further development of these ideas of Tcherepnin in the works of Igor Stravinsky.
Keywords: Russian music, Russian Ballet, the culture of the Silver Age
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