Sibelius and the Crossing of the Times
Main Article Content
Abstract
The article is written in the form of sketches, in which the author
expounds the scholarly perspectives on of the leading the musical
legacy of Sibelins Finnish Musicologist Veijo Murtomäki and
Estonian composer and musicologist Leo Normet on Sibelius’
musical legacy. The author’s attention is focused on two editions
in Russian of various years: the biography of Sibelius written by
Murtomäki for the book “A Hundred Remarkable Finns” (2004)
and Normet’s monographic work “The Symphonies of Sibelius”
(2011). Both works have been published outside of Russia, and
for this reason may have not come to the focus of interested
specialists in the country. To attract attention to these works on the
part of the musicological community and to bring the results of
Murtomäki’s and Normet’s research into a broader musicological
context in Russia – such are the aims of these sketches.
Keywords: Sibelius, Murtomäki, Normet, the symphonies of
Sibelius
Article Details
Copyright
The rights on the results of intellectual activity and equated means of individualization are protected in accordance with Part IV of the Civil Code of the Russian Federation. The authorship, author's name, executor’s name, inviolability of the work and result of execution are protected by the rules of Part IV of the Civil Code of the Russian Federation of the author or executor, regardless of providing legal protection of such results of intellectual activity at the time of their forming.
Copyright laws regulate the civil legal relations for using works of science, literature and art. Such relationships are formed as the result of the author’s writing his or her texts. In this case the author can rightfully claim copyright of the work.
The author has certain rights to reuse the work (see: “Ethical Aspects in Terms of Multifold Publications).
Licenses
All copyrights on the articles belong to their authors. The author transfers the rights on using the article the publisher.
PDF versions of scholarly articles of the journal PMN are published by using the license Attribution Non-Commercial No Derivatives cc by-nc-nd, allowing loading and distributing works on the assumption of indicating the authorship. The works may not be changed in any way or used for commercial interests.
Criteria for Authorship, Co-authorship
The term “author” refers to all persons (co-authors) who have made a substantial contribution to conducting the research and creation of the manuscript and responsible for its content. The person (author) who has submitted the manuscript to the editorial board shall bear responsibility for the complete list of the group of authors and the changes made to the manuscript in accordance with the results of the peer reviewing and editing.
1. Authorship is based on the following criteria:
1) The author made a substantial contribution to the research activity and development of concept, collected the data, made analysis and interpretation of the data.
2) The author carried out the writing of the text of draft articles and edited it attentively and substantially.
3) The author approved the final version of the article prior to its submission.
4) The author bears responsibility for the integrity of all parts of the manuscript.
2. The authors shall guarantee that the submitted manuscript is the original work.
3. Scholarly reviews for some issue or other should be objective, present material in a wide range and at the same time take into account the views of the author of the review.
4. The authorship of scholarly publications is obligated to reflect accurately the contribution of individuals to the research activity, with specific information about the authors.
5. The authors may not mislead the readers by publishing acknowledgements of gratitude to people who were not actually involved in writing the work. Other persons who made contribution to the work, but are nevertheless not the authors, may be listed in the rubric of “Acknowledgements,” with indications of the type and extent of their activities.
6. Authors are obligated to provide a description of their contribution to the publication.
7. The order of authorship must be a joint resolution of co-authors. The authors should be ready to explain the order of their enumeration and listing.
8. The authors shall be entirely responsible for the correct definition of authorship acting in accordance with the rules adopted in their institution.
9. Investigators must ensure that only those persons who meet the criteria for authorship (that made a significant contribution to the work), shall be considered the authors, and the researchers who do not merit authorship will be excluded from the list of authors.
References
2. Dyusapen P. Interv’yu i tvorcheskie razmyshleniya [Dusapin Pascal. Interviews and Creative Reflections]. Postmodernizm v kontekste sovremennoy kul’tury [Postmodernism in the Context of Contemporary Culture]. Moscow: Moskovskaya konservatoriya Press, 2009, рр. 155–187.
3. Zingerman B. I. Ocherki istorii dramy 20 veka [Essays on the History of 20th Century Drama]. Moscow: Nauka Press, 1979. 392 p.
4. Klinge M. Imperskaya Finlyandiya [Klinge Matti. Imperial Finland]. St. Petersburg: Kolo Press, 2005. 616 p.
5. Kon Yu. G. Pyat’ eskizov op. 114 kak otrazhenie evolyutsii muzykal’nogo yazyka v nachale XX veka [Five Sketches Op. 114 as a Reflection of the Evolution of Musical Language in the Beginning of the 20th Century]. Finskiy sbornik. Posobie po kursu “Vvedenie v muzykoznanie” [Finnish Compilation. Manual for the Course “Introduction to Musicology”]. Issue 2. Petrozavodsk, 1992, pp. 3–7.
6. Konen V. D. Teatr i simfoniya. Rol’ opery v formirovanii klassicheskoy simfonii [Theater and Symphony. The Role of the Opera in the Formation of the Classical Symphony]. Moscow: Muzyka Press, 1968. 351 p.
7. Kupets L. A. Antichnaya tema u kompozitorov stran Severnoy Evropy (E. Grig, Ya. Sibelius, D. M. Yukhansen) [Subjects from Antiquity in the Works of Composers of the Nordic Countries (Edvard Grieg, Jean Sibelius, David Monrad Johansen)]. Problemy muzykal’noy nauki [Music Scholarship]. 2011, no. 1 (8), pp. 181–185.
8. Lappalaynen S. Oskar Merikanto [Oscar S. Merikanto]. Sto zamechatel’nykh finnov. Kaleydoskop biografiy [A Hundred Remarkable Finns. A Kaleidoscope of Biographies]. Helsinki: Society for Finnish Literature, 2004, pp. 390–393.
9. Murtomäki V. Yan Sibelius [Jean Sibelius]. Ibid., pp. 566–577.
10. Nilova V. I. Glazunov, fennomaniya i karelianizm [Glazunov, Fennomaniya and Karelianism]. Problemy muzykal’noy nauki [Music Scholarship]. 2013, no. 1 (12), pp. 171–177.
11. Normet L. Simfonii Sibeliusa [The Symphonies of Sibelius]. Tallinn: Aleksandra Press, 2011. 304.
12. Lappalainen S. Finnissh Viennece Classical Composers and Europe. Balticum – a Coherent Musical Landscape in 16-th and 18-th Centuries. Helsinki, 1994, pp. 91–102.
13. Murtomaki V. Symphonic Unity: the Development of Formal Thinking in the Symphonies of Sibelius. Helsinki: Studio Musicologica Universitalis Helsigiensis, 1993. 340 p.
14. Salmenhaara E. Tapiola: sinfoniaen runo Tapiola Sibeliuksen myohaistyylin edustajana: acta musicologica fennica. Helsinki, 1970. 138 p.