The Aesthetics of Symbolism and the Modes of Boleslav Yavorsky in the Music of Sergei Protopopoff
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Abstract
The article is dedicated to the study of evolution of
harmonic language in the works of Russian composer
Sergey Protopopoff (1893–1954). His music is viewed in
the context of symbolism, reflected in his use of the compositional
system of his teacher Boleslav Yavorsky. This
system is known as the «theory of modal rhythm.» The
period of Protopopoff's fascination with «modes of
Yavorsky» lasted from 1917 to 1931 and falls into three
stages. Each stage is presented in this study. The last
work of Protopopoff is interpreted as a farewell to modernist
techniques.
Keywords: S. Protopopoff, modes of Yavorsky, symbolism,
harmony in the 20th-century music, musical modernism,
musical avant-garde
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