The Role of Finale in the Symphonic Cycle
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Abstract
The article is dedicated to the problem of finale as
a separate genre within the framework of the symphonic
cycle. On the grounds of well-established Russian methodology
of analysis of genre the author makes an attempt
to identify genre prototype for the final movement of
symphony (from its classical stage to the compositional
solutions of the 20th century). This prototype is studied
in unity of three genre features: existence in the social
milieu, typical musical-artistic content, and participation in
creation of an integrated image of the composition.
Keywords: Finale of symphony, musical content, musical
dramaturgy
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