The Lexicon of Intonatsia of Kurai as a Way of Conveying the National Colouring in the Themes of Piano Works by Bashkyrian Composers
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Abstract
The article considers the problems of manifestation
of the national character in the language
of piano music of Bashkyrian composers.
There is a plethora of evidence of correlation
between the intonatsia and musical-lexical models
pertinent to the performing tradition of
Bashkyrian flute kurai (which itself absorbs the
essential features of the prolong song genre of
ozon-kui) on the one hand, and the content plan
of piano works by modern Bashkyrian composers
on the other. The author reveals basic
musical-lexical forms of ozon-kui and its various
structural and semantic modulations. The
author maintains that the employment of these
intonatsia's and musical-lexical forms fills the
works of Bashkyrian composers with unique
national coloring.
Keywords: folklore and composer, Bashkirian professional music, piano music, intonation lexicon
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References
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