Synesthesia as a Component of Musical-Intonational Process
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Abstract
This article offers a description of synesthetic
semantic-generating mechanism and its role in creation
of dynamic properties of musical intonatsia.
The article defines the place of synesthesia (intersensual
association) in both "genetic program" of
the musical text and intonatsia-based multi-layered
semantic field. The synesthetic interpretation of
20th-century "non-classical sound space" is carried
out on the example of analysis of the Rhythmic
Etudes by Olivier Messiaen.
Keywords: musical psychology, musical text, synesthesia, music by Olivier Messiaen
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