Gramophone Recordings of Tatar Singers of the Turn of the 20th Century
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Abstract
This article is dedicated to analysis of concert life
of turks-muslims in the beginning of the 20th century.
The author has researched the existent gramophone records
of Tatar singers. Their performances provide a glimpse of
the vocal style of that time. Author traces the stages in
development of professionalism of the singers. These
observations lead to a more detailed view of the urban
life of the Tatar cities of the turn of the 20th century.
Keyword: local studies, Tatar folk song, concert performance,
sound recording
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