The Epochs of Transition as the Limits of the Cycles of Music History
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Abstract
This article is devoted to the problems concerned with the
nature of historical process of development of musical art.
The author follows the evolution of the European musical
thinking of the past ten centuries and focuses on the socalled
«epochs of transition.» During these particular periods
the image change of the sound world makes an impact on
the historical context of musical development. In such times
composers and music theorists bring about the new ideas into
the existing compositional techniques. These artistic revolutions,
marking in the epochs of transition, manifest characteristic
features and recur every 300 years in music history.
Keywords: artistic revolutions, turning points in music
history, history of sciences, Middle Ages, Renaissance
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