Piano Performance in Ufa in 1920s in the Mirror of Musical Criticism
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Abstract
Based upon scarcely studied materials from the periodicals, the
author considers the questions of forming the tradition of piano
performance in Ufa in 1920s. The article contains the analysis of topics
related to development of professional performance, musical criticism
and multi-directional tendencies of concert practice, characteristic of the
musical scene of that time.
Keywords: piano performance in Ufa, musical criticism in Ufa in the
beginning of the 20th century
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