Chanter’s Terminology at the Turn of the 17th Century: Azbuka of Monk Khristophor «Kljuch Znamennyi»
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Abstract
Studying the singing terminology in the Azbuka Kluch Znamennyi by monk Khristophor gives the chance to realize the depth of professionalism in the art of Church singing at the turn of the 17th century. Despite the diversity of terminology, there is strict differentiation by functional principle. The comparative analysis of the Azbuka of Khristophor allowed establishing the presence of core vocabulary of melodic structures. There is also the evidence of its constant replenishment. This allows the author to make a conclusion about continuous creative process in singing art of medieval Russia.
Keywords: monk Khristophor, Azbuka, Znamennyi Chant, Kluch Znamennyi, Russian medieval music, Russian Church singing
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