Teaching Voice by the Neumes in the Church Practice of Byzantium and Mediaeval Rus’: The Questions of History and Methods
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Abstract
In the course of researching special methods of singing art teaching in Byzantium and Medieval Russia, the author draws her attention to algorithms of perceiving and adapting the Byzantine methods in the newer conditions. Simultaneously, the processes of developing specifically national approaches to teaching in the Russian church-singing practice have been traced. Special attention is paid to an issue of the possibility to use manual means.
Keywords: teaching methods, singing art, Byzantium, Medieval Russia
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