Returning to a Soviet Musical Classic (about Reinhold Gliere’s Ballet “The Bronze Horseman”)
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Abstract
The article focuses itself on Reinhold Gliere’s ballet “The Bronze Horseman,” which the authors interpret as a musical and choreographic narration about the life of Russia and of the drama of man. The dramaturgy is viewed through the prism of several historical epochs: from the times of Peter the Great, via St. Petersburg of the time of Pushkin and up to the Stalin era.
Keywords: “The Bronze Horseman,” the era of Peter the Great,
St. Petersburg of the time of Pushkin, the “Stalin empire style,” dramaturgical strata
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