Boris Tishchenko’s “Three Songs to the Texts of Marina Tsvetayeva”: the Problem of the Underlying Plot
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Abstract
The article is devoted to the questions of interaction between music and text in Boris Tishchenko’s vocal cycle “Three Songs to the Texts of Marina Tsvetayeva.” The methodological basis of the research is formed by the intertextual approach which helps discover the originality of the composer’s conception by comparison of the “hidden texts” of the poetic and musical
compositions.
Keywords: Tishchenko, Tsvetayeva, vocal cycle, intertextuality, myth
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References
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