The Peculiarities of the Baroque Agogic on the Example of the Stylus Phantasticus
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Abstract
The article is devoted to examination of the peculiarities of the agogics in the Baroque era. On the basis of the music theory treatises of that time period, the various types of agogic techniques are analyzed. On the example of the style of the fantasy (stylus phantasticus) certain recommendations about their practical application are made.
Keywords: agogics, stylus phantasticus, the Baroque era, the North German organ school, Kircher, Mattheson, Tьrk, Thomas de Santa Maria
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