Traditional and New Approaches Toward the Study of Orchestration
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Abstract
The article presents an overview of special works on orchestration of the second half of the 20th century which were based on original conceptions. The author examines textbooks by Walter Piston, Dmitri Klebanov and Gennady Banshchikov, research texts of Georgy Dmitriev and Evgeny Nazaikinsky, articles by Gerard Grisey and Alfred Schnittke and an interview with Tristan Murail.
Keywords: orchestral texture, timbre dramaturgy, pure and mixed timbres, functionality of timbre, spectral orchestration
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References
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