Music of Bizet/Schchedrin in the Animation Film of Harry Bardin (to the Question of Reinterpretation)
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Abstract
The article presents the phenomenon of reinterpretation on
the example of the animation film Tchucha by Harry Bardin.
Contrary to interpretation, which is commonly perceived as the
process of explanation or/and explication of the original text, the
reinterpretation is positioned as the forming anew of the truth.
In other words, if in the dialogic nature of humanities the interpretation
is the process of reconciliation of the opposites, the
reinterpretation only exacerbates these contradictions between the
text and the context and, which is the same, between the given
and the created. Thus the new artistic whole appears connected
to the previous texts of culture, since they serve as the
unchangeable background for the realization of the author's ideas.
Keywords: interpretation, reinterpretation, musical animation
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