The Concept as the Category of Interpretation of Piano Music
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Abstract
The concept as the tool of interpretation of piano
music is the product of interaction of four levels of text:
author's notation, plastic text of the interpretation, its mental
and acoustic texts. In analysis of sujet approach in
Beethoven's Appassionata, the author defends the role of
the concept of "intervention" and finds the support for
it in its projection on the sujets of Shakespeares Hamlet,
Pasternak's novel, and biblical sujet of "Adony in the
Garden."
Keywords: Musical cognitology, performer's interpretation,
Beethoven's Appassionata
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