“The Mysteria of Joan” in the Libretto of “The Maid of Orleans” of P. I. Tchaikovsky
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Abstract
The article analyzes the principles of Tchaikovsky’s work on libretto of the opera “The Maid of Orleans.” Using the same title as the drama of Friedrich Schiller (translated by V. Zhukovsky and
J. Barbier), the composer tries to reveal the mysterial essence of the protagonist. In the episodes of his own composition Tchaikovsky has shown Joan of Arc as a sacred character who stays in continuous communication with angels throughout the prayer. The basis of internal conflict is the confrontation between earthly love and heavenly purpose, a spiritual path indicated by such categories as “Chosen,” “Temptation,” “suffering,” “redemption.”
Keywords: Russian opera, Tchaikovsky’s opera, opera librettos, mysteria
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