Anagram as Structural Meadning-Bearing Element of the Musical Text (on the Examples from Music of Faradzh Karayev)
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Abstract
This article examines musical anagram as a kind of methodology of intertextuality. The author relies on poststructuralist
research and illustrates the effect of this methodology on the
example from Faradzh Karaev’s compositions.
Keywords: anagram, paragram, intertextuality, structure of composition
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References
2. Kristeva J. Pour une sémiologie des paragrammes // Kristeva J. Σημειωτική. Recherches pour une sémanalyse. – Paris: Éditions du Seuil, 1969. – P. 174-207.
3. Kristeva J. Word, Dialogue, and Novel // Desire in language. A Semiotic Approach to Literature and Art by Julia Kristeva / Ed. by L.S. Roudiez. – N. Y.: Columbia University Press, 1980. – P. 64-91.
4. Riffaterre M. Paragramme et signifiance VII // Riffaterre M. La production du texte. – Paris: Éditions du Seuil, 1979. – P. 75-88.