Rodion Shchedrin: to the Question of a Musical Language
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Abstract
The article is concerned with the oeuvre of Rodion Shchedrin, one of the most recognized and outstanding modern Russian composers. The article reveals musical-languisitic models of Schedrin’s works. Among them – melodic intonations related to Russian folk-song sources and Orthodox church music; individual musical lexemes; the musical material entered by means of various aspects of polystylistics in the form of musical-textual quotations, quasi-quotations, hints, genre-stylistic «inserts», «variations on a style»; symbols and monograms.
Keywords: Rodion Shchedrin, the modern composer, musical genre and style, musical language, intonational models
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References
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