The Swan Lake of P. I. Tchaikovsky in the Context of Modern Art: Interpretation and Reinterpretation
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Abstract
The article views Tchaikovsky’s ballet Swan Lake together with its interpretations and reinterpretations in literature, cinematography and choreography. The difference between interpretation and reinterpretation as phenomena is analyzed in details. Sergey Parajanov’s novel Swan Lake together with Yury Il’yenko’s movie with the same title, as well as the staging of Tchaikovsky’s ballet by the British choreographer Matthew Bourne, illustrate the author’s position.
Keywords: interpretation, reinterpretation, scenario, libretto, choreography, cinematography
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