Responsories on Holy Week
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Abstract
texts of the Catholic church service, the responsories on
Holy Week. Along with the Latin text, there is a translation into
Russian made by the author of the publication, S.A. Kozlykina.
The author bases herself on the following edition: Zelenka J. D.
Responsorien für die Karwoche ZWV 55 (1723) (Stuttgart, 1995).
The introduction presents a short summary of the history of the
responsories as a genre of Catholic sacred music, and makes a list
of the names of the composers who wrote these polyphonic cycles.
Their irst musical specimens pertain to the 16th century, and one
of the last ones – to the 20th century (“Seven Responsories” by
Francis Poulenc). The possible ways of existence for the genre
in contemporary conditions are marked out, when it departed
from church service practice, in both the liturgical and the nonliturgical
context. The irst is its introduction into the Liturgy of
Holy Friday as relections on the reading of the Gospel narrating
about the Passions of our Lord. The second is the performance
during the ofice, once again as a response to the corresponding
readings. The third is performance in church concerts. It is also
to combine it with lamentations (from the Book of Lamentations
of the Prophet Jeremiah), a genre that is closely connected with
responsories.
Keywords: sacred music, music in Catholic church service,
responsories, lamentations
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References
2. Kalinichenko E. V., Tyushagin V. V., Puchkin D. Ye., Ponomaryov V. P., Potashinskaya N. N. Vatikanskiy II Sobor [The Second Vatican Council]. Pravoslavnaya entsiklopediya [Orthodox Christian Encyclopedia]. V. 7. Moscow, 2004, pp. 286–303.
3. Moskva Yu. V. Nokturny [Nocturnes]. Katolicheskaya entsiklopediya [The Catholic Encyclopedia]. V. 3. Moscow, 2007, pp. 921–922.
4. Moskva Yu. V. Responsoriy [Responsories]. Ibid. V. 4. 2011, pp. 149–150.
5. Cessac C. François Couperin (1668–1733) «Leçons de Ténèbres», Marc-Antoine Charpentier (1643–1704) «Répons», Michel Lambert (1610–1696) «Miserere». Translation by Geoffrey Marshall. Ténèbres du Premier Jour. F. Couperin – M.-A. Charpentier – M. Lambert. Les Demoiselles de Saint-Cyr – Emmanuel Mandrin. Dorothée Leclair, Juliette Perret, Eugénie Warnier, solists. Europe: Ambronay Editions, 2009, рp. 8–11.
6. Horn W., Kohlhase Th. Kritischer Bericht. J. D. Zelenka. Responsorien für die Karwoche ZWV 55 (1723). 27 Responsorien für die Matutin-Nokturnen zum Gründonnerstag, Karfreitag und Karsamstag für vierstimmigen gemischten Chor (SATB) und Basso continuo (Streicher und Posaunen colla parte, ad libitum). Erstausgabe herausgegeben von Wolfgang Horn und Thomas Kohlhase. Stuttgart: Carus-Verlag, 1995. S. 202–209.
7. Horn W., Kohlhase Th. Vorwort. Ibid. S. III–XI.
8. O’Shea W. J. Good Friday. New Catholic Encyclopedia. Second Edition. B. 6. Washington: The Catholic University of America, 2003, pp. 355–356.
9. O’Shea W. J. Holy Thursday. Ibid. B. 7, pp. 54–55.
10. O’Shea W. J. Holy Week. Ibid. B. 7, p. 56.
11. Poulenc F. Sept repons des Ténèbres [Sheet Music]. Pour Soprano solo (voix d’enfant). Choer mixte (voix d’enfants – voix d’hommes) et orchestre. Paris: Editions Salabert, S.A. 22 rue Chauchat, 1962. 34 p.
12. Cutter P. F., Maiani B., Moroney D., Caldwell J. Responsory [Great Responsory of Matins and Vespers; responsorium prolixum]. The New Grove Dictionary of Music and Musicians. Vol. 1–29. 2nd ed. Oxford Univ. Press, 2001. (CD-ROM).
13. Zelenka J. D. Responsorien für die Karwoche ZWV 55 (1723) [Sheet Music]. 27 Responsorien für die Matutin- Nokturnen zum Gründonnerstag, Karfreitag und Karsamstag für vierstimmigen gemischten Chor (SATB) und Basso continuo (Streicher und Posaunen colla parte, ad libitum). Erstausgabe herausgegeben von Wolfgang Horn und Thomas Kohlhase. Stuttgart: Carus-Verlag, 1995. XXII + 210 S.