The Literary Legacy of the Dutch Composer Alphons Diepenbrock
Article Sidebar
Main Article Content
Abstract
The article is devoted to the work of Dutch composer, musical critic, philologist, essayist and pedagogue Alphons Diepenbrock. His activities were carried out against the background of the process of national development of the Dutch musical culture during the period of the late 19th and early 20th centuries. Prior to that, Diepenbrock’s legacy did not attract the attention it deserved in Russian musicology, unlike Western, particularly, Dutch musicology. The author of the article became interested in the composer’s work in the spheres of criticism and journalism. In the cultural milieu of the Netherlands, identically to that of France, at the end of the 19th century literary figures were the chief expressers of new ideas. The experience acquired by Diepenbrock due to his participation in the Dutch “Movement of the Eighties,” which became one of the most vanguard in the country, was retained by him throughout his enture life. The sphere of literature served Diepenbrock’s compositional work as a conceptual source from the point of view of aesthetic tendencies and ideals. The article presents the key biographical information about the life of the Dutch musician, as well as the periodization of his work in criticism and journalism and its brief characterization. Information is provided about the editions in which Diepenbrock’s works were published. Thereby, an attempt was made by the author of the article to advance within closer proximity to the understanding of the musical, literary and cultural-philosophical views and interests of Alphons Diepenbrock.
Keywords: Alphons Diepenbrock, Dutch musical culture, musical criticism, a fusion of philology and compositional work
Article Details
Copyright
The rights on the results of intellectual activity and equated means of individualization are protected in accordance with Part IV of the Civil Code of the Russian Federation. The authorship, author's name, executor’s name, inviolability of the work and result of execution are protected by the rules of Part IV of the Civil Code of the Russian Federation of the author or executor, regardless of providing legal protection of such results of intellectual activity at the time of their forming.
Copyright laws regulate the civil legal relations for using works of science, literature and art. Such relationships are formed as the result of the author’s writing his or her texts. In this case the author can rightfully claim copyright of the work.
The author has certain rights to reuse the work (see: “Ethical Aspects in Terms of Multifold Publications).
Licenses
All copyrights on the articles belong to their authors. The author transfers the rights on using the article the publisher.
PDF versions of scholarly articles of the journal PMN are published by using the license Attribution Non-Commercial No Derivatives cc by-nc-nd, allowing loading and distributing works on the assumption of indicating the authorship. The works may not be changed in any way or used for commercial interests.
Criteria for Authorship, Co-authorship
The term “author” refers to all persons (co-authors) who have made a substantial contribution to conducting the research and creation of the manuscript and responsible for its content. The person (author) who has submitted the manuscript to the editorial board shall bear responsibility for the complete list of the group of authors and the changes made to the manuscript in accordance with the results of the peer reviewing and editing.
1. Authorship is based on the following criteria:
1) The author made a substantial contribution to the research activity and development of concept, collected the data, made analysis and interpretation of the data.
2) The author carried out the writing of the text of draft articles and edited it attentively and substantially.
3) The author approved the final version of the article prior to its submission.
4) The author bears responsibility for the integrity of all parts of the manuscript.
2. The authors shall guarantee that the submitted manuscript is the original work.
3. Scholarly reviews for some issue or other should be objective, present material in a wide range and at the same time take into account the views of the author of the review.
4. The authorship of scholarly publications is obligated to reflect accurately the contribution of individuals to the research activity, with specific information about the authors.
5. The authors may not mislead the readers by publishing acknowledgements of gratitude to people who were not actually involved in writing the work. Other persons who made contribution to the work, but are nevertheless not the authors, may be listed in the rubric of “Acknowledgements,” with indications of the type and extent of their activities.
6. Authors are obligated to provide a description of their contribution to the publication.
7. The order of authorship must be a joint resolution of co-authors. The authors should be ready to explain the order of their enumeration and listing.
8. The authors shall be entirely responsible for the correct definition of authorship acting in accordance with the rules adopted in their institution.
9. Investigators must ensure that only those persons who meet the criteria for authorship (that made a significant contribution to the work), shall be considered the authors, and the researchers who do not merit authorship will be excluded from the list of authors.
References
2. Braas T. Alphons Diepenbrock. The New Grove Dictionary of Music and Musicians. Ed. S. Sadie, J. Tyrrell. Second edition. Vol. 7. New York: Grove Dictionaries Inc., 2001, pp. 328–330.
3. Diepenbrock A. Versamelde geschriften. Het Spectrum, Utrecht (Brussel 1950). Editie Eduard Reeser & Thea Diepenbrock, 2007. URL: http://www.dbnl.org/ tekst/diep001verz01_01/colofon.htm.
4. Diepenbrock Alphonsus Joannes Maria (1862–1921). URL:http://www.historici.nl/Onderzoek/ Projecten/BWN/lemmata/bwn1/diepenbrock.
5. Leeuw G. van der. Alphons Diepenbrock and the European World of Composers at the Fin-De-Siècle. Muzykologiya (Serbiya) [Musicology (Serbia)]. Vol. 2. 2002, pp. 157–169.
6. Samama L. Alphons Diepenbrock. Componist van het vokale [Composer of Vocal Music]. Amsterdam: Amsterdam University Press, 2012. 321 p.
7. Veen J. van der. Diepenbrock, Alphonsus Joannes Maria (1862–1921). Biografisch Woordenboek van Nederland. URL: http://resources.huygens.knaw.nl/bwn1880-000/lemmata/bwn1/diepenbrock.