The Kazan Section of the Imperial Russian Musical Society and its Role in the Development of the Musical Culture of the Volga-Kama Region
Main Article Content
Abstract
The author analyzes the significance of the Kazan Section of the Imperial Russian Musical Society (IRMS)
for the development of musical education and the musical life of the Volga-Kama region of the first decades of the
20th century. The question is set about the impact of the Kazan Section of the Society on the musical life of the
provincial cities and towns and the musical enlightenment of the indigenous peoples of the Mid-Volga Region. The
role of the significant musical public figure Rudolf Gummert in the organization of musical educational institutions
under the aegis of the IRMS is highlighted. Not only was he the coordinator of all the events taking place in the
concert life, musical education and enlightenment of Kazan, but he also aspired to the expansion of the boundaries
of the influence of the IRMS on the adjacent cultural space, which was revealed first of all on the creation of musical
educational institutions of the academic type. The examined material of archival documents demonstrates activities
of the educational institutions opened under the auspices of the Kazan Section of the IRMS – the Musical Classes in
Sarapul and the Gratuitous Church Choirmaster Class in Kazan – as well as the history of the founding of the Society’s
Sarapul Section. The cited data testify of the Kazan Section’s serious contribution to the development of musical life
in the region, and the formation of the basics of professional musical cultures of the Volga region’s national republics.
Keywords: The Kazan Section of the Imperial Russian Musical Society, musical education, the Sarapul Musical
Classes, the Gratuitous Church Choirmaster Class affiliated with the Kazan Section of the IRMS, Rudolf Gummert.
Article Details
Copyright
The rights on the results of intellectual activity and equated means of individualization are protected in accordance with Part IV of the Civil Code of the Russian Federation. The authorship, author's name, executor’s name, inviolability of the work and result of execution are protected by the rules of Part IV of the Civil Code of the Russian Federation of the author or executor, regardless of providing legal protection of such results of intellectual activity at the time of their forming.
Copyright laws regulate the civil legal relations for using works of science, literature and art. Such relationships are formed as the result of the author’s writing his or her texts. In this case the author can rightfully claim copyright of the work.
The author has certain rights to reuse the work (see: “Ethical Aspects in Terms of Multifold Publications).
Licenses
All copyrights on the articles belong to their authors. The author transfers the rights on using the article the publisher.
PDF versions of scholarly articles of the journal PMN are published by using the license Attribution Non-Commercial No Derivatives cc by-nc-nd, allowing loading and distributing works on the assumption of indicating the authorship. The works may not be changed in any way or used for commercial interests.
Criteria for Authorship, Co-authorship
The term “author” refers to all persons (co-authors) who have made a substantial contribution to conducting the research and creation of the manuscript and responsible for its content. The person (author) who has submitted the manuscript to the editorial board shall bear responsibility for the complete list of the group of authors and the changes made to the manuscript in accordance with the results of the peer reviewing and editing.
1. Authorship is based on the following criteria:
1) The author made a substantial contribution to the research activity and development of concept, collected the data, made analysis and interpretation of the data.
2) The author carried out the writing of the text of draft articles and edited it attentively and substantially.
3) The author approved the final version of the article prior to its submission.
4) The author bears responsibility for the integrity of all parts of the manuscript.
2. The authors shall guarantee that the submitted manuscript is the original work.
3. Scholarly reviews for some issue or other should be objective, present material in a wide range and at the same time take into account the views of the author of the review.
4. The authorship of scholarly publications is obligated to reflect accurately the contribution of individuals to the research activity, with specific information about the authors.
5. The authors may not mislead the readers by publishing acknowledgements of gratitude to people who were not actually involved in writing the work. Other persons who made contribution to the work, but are nevertheless not the authors, may be listed in the rubric of “Acknowledgements,” with indications of the type and extent of their activities.
6. Authors are obligated to provide a description of their contribution to the publication.
7. The order of authorship must be a joint resolution of co-authors. The authors should be ready to explain the order of their enumeration and listing.
8. The authors shall be entirely responsible for the correct definition of authorship acting in accordance with the rules adopted in their institution.
9. Investigators must ensure that only those persons who meet the criteria for authorship (that made a significant contribution to the work), shall be considered the authors, and the researchers who do not merit authorship will be excluded from the list of authors.
References
2. Maklygin A. L. Muzykal'nye kul'tury Srednego Povolzh'ya: Stanovlenie professionalizma [The Musical Cultures of the Middle Volga Region: the Formation of Professionalism]. Kazan: Kazan State Conservatoire, 2000. 311 p.
3. Porfir'eva E. V. Muzykal'noe obrazovanie v Kazani (konets XVIII – nachalo XX veka) [Musical Education in Kazan (From the Late 18th Century to the Early 20th Century)]. Kazan: Kazan State Conservatoire, 2014. 248 p.
4. Pyuriyaynen D. M. Naselenie uezdnogo goroda Sarapula vo vtoroy polovine XIX – nachale XX v.: sotsiokul'turnyy aspekt: avtoref. dis. … kand. ist. nauk [The Population of the County Town Sarapul from the Second Half of the 19th to the Early 20th Century: Thesis of Dissertation for the Degree of Candidate of History]. Izhevsk, 2009. 22 p.
5. Smetannikova A. Yu. The Rostov Section of the Imperial Russian Musical Society: the First Decade of its Work. Problemy muzykal'noj nauki/Music Scholarship. 2015. No. 1, pp. 89–94. (In Russ.)
6. Polotskaya Elena E. Concerning the History of Education of Music Theorists and Composers in the First Russian Conservatories. Problemy muzykal'noj nauki/Music Scholarship. 2017. No. 4, pp. 100–107. DOI: 10.17674/1997-0854.2017.4.100-107.
7. Tobias E. S. Toward Convergence: Adapting Music Education to Contemporary Society and Participatory Culture. Music Educators Journal. 2013. V. 99. No. 4, pp. 29–36.