The Yekaterinburg Section of the Imperial Russian Musical Society / Russian Musical Society (1912–1919)
Main Article Content
Abstract
The article sets the goal of ascertainment of the results of the activities in Yekaterinburg of the local section of the
Imperial Russian Musical Society (IRMS), which existed in the city for seven years, part of which passed during the
years of the revolution and the Civil War. The favorable conditions accompanying the emergence of the local section
of the IRMS, stipulated by the longstanding activities of amateur musical-enlightening societies. The establishment of
the first professional musical educational institution in the Urals region – the Musical College affiliated with the local
section of the IRMS – is highlighted as the greatest achievement of the Society. The hardships of its functioning during
the crossover period of Russian history (1917–1919) and the moments of critical situations brought in the danger of
the shutting down of the Musical College. The merits of the members of the local section of the IRMS, who were
able to establish and preserve this Musical College in Yekaterinburg, as well as the professional musicians, graduates
of conservatories, who performed in concerts and were engaged in pedagogical work are disclosed. An evaluation is
made of the College, created under the auspices of the IRMS, as the foundation for the establishment in Yekaterinburg
(during the Soviet period – Sverdlovsk) of a higher musical educational institution – the Urals State M. P. Mussorgsky
Conservatory.
Keywords: the musical culture of the Urals, musical education, the Yekaterinburg Section of the Imperial Russian
Musical Society (IRMS), the activists of the IRMS.
Article Details
Copyright
The rights on the results of intellectual activity and equated means of individualization are protected in accordance with Part IV of the Civil Code of the Russian Federation. The authorship, author's name, executor’s name, inviolability of the work and result of execution are protected by the rules of Part IV of the Civil Code of the Russian Federation of the author or executor, regardless of providing legal protection of such results of intellectual activity at the time of their forming.
Copyright laws regulate the civil legal relations for using works of science, literature and art. Such relationships are formed as the result of the author’s writing his or her texts. In this case the author can rightfully claim copyright of the work.
The author has certain rights to reuse the work (see: “Ethical Aspects in Terms of Multifold Publications).
Licenses
All copyrights on the articles belong to their authors. The author transfers the rights on using the article the publisher.
PDF versions of scholarly articles of the journal PMN are published by using the license Attribution Non-Commercial No Derivatives cc by-nc-nd, allowing loading and distributing works on the assumption of indicating the authorship. The works may not be changed in any way or used for commercial interests.
Criteria for Authorship, Co-authorship
The term “author” refers to all persons (co-authors) who have made a substantial contribution to conducting the research and creation of the manuscript and responsible for its content. The person (author) who has submitted the manuscript to the editorial board shall bear responsibility for the complete list of the group of authors and the changes made to the manuscript in accordance with the results of the peer reviewing and editing.
1. Authorship is based on the following criteria:
1) The author made a substantial contribution to the research activity and development of concept, collected the data, made analysis and interpretation of the data.
2) The author carried out the writing of the text of draft articles and edited it attentively and substantially.
3) The author approved the final version of the article prior to its submission.
4) The author bears responsibility for the integrity of all parts of the manuscript.
2. The authors shall guarantee that the submitted manuscript is the original work.
3. Scholarly reviews for some issue or other should be objective, present material in a wide range and at the same time take into account the views of the author of the review.
4. The authorship of scholarly publications is obligated to reflect accurately the contribution of individuals to the research activity, with specific information about the authors.
5. The authors may not mislead the readers by publishing acknowledgements of gratitude to people who were not actually involved in writing the work. Other persons who made contribution to the work, but are nevertheless not the authors, may be listed in the rubric of “Acknowledgements,” with indications of the type and extent of their activities.
6. Authors are obligated to provide a description of their contribution to the publication.
7. The order of authorship must be a joint resolution of co-authors. The authors should be ready to explain the order of their enumeration and listing.
8. The authors shall be entirely responsible for the correct definition of authorship acting in accordance with the rules adopted in their institution.
9. Investigators must ensure that only those persons who meet the criteria for authorship (that made a significant contribution to the work), shall be considered the authors, and the researchers who do not merit authorship will be excluded from the list of authors.
References
2. Belyaev S. E. Svobodnyy khudozhnik Tsvetikov: dni i gody v Ekaterinburge [Free Artist Tsvetikov: Days and Years in Yekaterinburg]. Ural [Urals]. 2014. No. 11, p. 188–202.
3. Vinkevich I. V., Ivanchuk N. N., Polotskaya E. E., Shabalina L. K. Pervoe muzykal'noe uchilishche Urala [The First College of Music of the Urals]. Ed. by L. Shabalina. Yekaterinburg: Sokrat, 2012. 264 p.
4. Elena Georgievna Meklenburg-Streletskaya (Saksen-Altenburgskaya) [Elena Georgievna Mecklenburg- Streletskaya (Saxen-Altenburg)]. URL: https://dic.academic.ru/dic.nsf/ruwiki/1490812 (27.07.2018).
5. Krylova A. V. The Role of the Imperial Russian Musical Society in the Formation of the Musical Infrastructure of Rostov-on-Don. Problemy muzykal'noj nauki/Music Scholarship. 2016. No. 1, pp. 83–89. (In Russ.) DOI: 10.17674/1997-0854.2016.1.083-089.
6. Mikityuk V. P. «Chelovek redkoy serdechnoy teploty» (o D. P. Solomirskom) [“A Man of Rare Warmth of the Heart” (about D. P. Solomirsky)]. Razvitie khudozhestvennoy kul'tury Ekaterinburga ot nachala XX veka do nashikh dney: materialy Vseros. nauch.-prakt. konf. [The Development of the Artistic Culture of Yekaterinburg from the Beginning of the 20th Century to the Present Day: Proceedings of the All-Russian Scholarly and Practical Conference]. Ed. by I. V. Vinkevich. Yekaterinburg, 2016, pp. 10–20.
7. Solomirskiy Pavel Dmitrievich [Solomirsky, Pavel Dmitrievich]. URL: https://ru.wikipedia.org/wiki/ (18.08.2018).
8. Shabalina L. K. IRMO i ego rol' v razvitii otechestvennoy muzykal'noy kul'tury i obrazovaniya [The IRMS and Its Role in the Development of Russian Musical Culture and Education]. Dinastiya Romanovykh v istorii i kul'ture Rossii: materialy Vseros. konf. [The Romanov Dynasty in the History and Culture of Russia: Materials of the All-Russian Conference]. Ed. by V. V. Alekseev. Yekaterinburg, 2002, pp. 116–122.
9. Shabalina L. K. The Divisions of the Imperial Russian Musical Society in the Urals Area. Problemy muzykal'noj nauki/Music Scholarship. 2010. No. 2 (7), pp. 84–88. (In Russ.)
10. Shabalina L. K. Otdeleniya IRMO v Sibiri i na Urale. Ekaterinburgskoe otdelenie: k 100-letiyu obrazovaniya [The Sections of the IRMS in Siberia and the Urals. The Yekaterinburg Branch: Towards the 100th Anniversary of Its Founding]. Russkoe muzykal'noe obshchestvo. 1859–1917. Istoriya otdeleniy [The Russian Musical Society. 1859– 1917. A History of the Sections]. Author of the idea, Ed. by O.R. Glushkova; Scientific Ed. by O. M. Tompakova. Moscow, 2012, pp. 517–535.
11. Shabalina L. K. Stolichnye i provintsial'nye muzykal'nye obshchestva XIX – nachala XX veka v Rossii [The Metropolitan and Provincial Musical Societies of the 19th and Early 20th Centuries in Russia]. Izvestiya Ural'skogo gosudarstvennogo universiteta. Seriya 2: Gumanitarnye nauki. Vyp. 16 [News of the Ural State University. Series 2: Humanitarian Sciences. Issue 16]. 2008, pp. 269–279.
12. Shabalina L. K., Zasorina N. P. Muzykal'nyy kurs na Ural [Musical Course on the Urals]. Soyuz tvortsov i prosvetiteley: k 150-letiyu Moskovskogo muzykal'nogo obshchestva [Union of Creators and Enlighteners: to the 150th Anniversary of the Moscow Musical Society]. Project Manager A. A. Fedotov; Ed. by E. D. Krivitskaya, V. V. Khabarov. Moscow, 2012, pp. 287–301.
13. Gorodilova M., Korobova A., Polotskaya E., Shabalina L. First Conservatoire in the Urals: From the History of Russian Musical Education. Proceedings of the 2017 International Conference on Art Studies: Science, Experience, Education (ICASSEE 2017). January, 2018, pp. 345–349. DOI: 10.2991/icassee-17.2018.78.
14. Sargeant L. A New Class of People: The Conservatoire and Musical Professionalization in Russia, 1861–1917. Music & Letters. Vol. 85, No. 1, February. Oxford University Press, 2004, pp. 41–61.