The Odessa Section of the Imperial Russian Musical Society: Formation and Summation
Main Article Content
Abstract
The activities of the Odessa Section of the Imperial Russian Musical Society (IRMS) during the years 1884–1917
comprises a special page of the musical history of Odessa. Relying on anterior experience of the Odessa musical
traditions of the first half of the 19th century, during a short period of time the Odessa Section brought out the musical
life of the city onto a higher degree on all levels (the concert-enlightening and entertaining), which made it possible for
Odessa to take up a significant position not only in the social-cultural life, but also in the sphere of musical culture. As
the result of the active efforts of the Odessa Section of the IRMS and the Musical Classes opened under its auspices,
the Musical College was opened (1897) and, later, the Conservatory (1913), – the latter being the fourth in Russia and
the first in Ukraine. The altruistic help, enthusiasm and self-sacrifice of the Odessa cultural activists, aristocracy and
patrons, as well as the help of the metropolitan section of the IRMS and the most significant musicians of St. Petersburg
and Moscow (the brothers Anton and Nikolai Rubinstein, Nikolai Rimsky-Korsakov, Piotr Tchaikovsky, Eduard
Napravnik, Alexander Glazunov and others) made it possible to create a highly professional level of the musical life
of the city. The traditions laid by the activities of the Odessa Section have been actively developed since that time (the
ten-year Piotr Stolyarsky School, the concert life of the Philharmonic Society and the Opera Theater, the “Two Days
and Two Nights of New Music” International Festival for Contemporary Music).
Keywords: The Odessa Section of the Imperial Russian Musical Society (IRMS), the Odessa Musical College, the
Odessa Conservatory, the Musical Classes, Piotr Sokalsky, Odessa patrons.
Article Details
Copyright
The rights on the results of intellectual activity and equated means of individualization are protected in accordance with Part IV of the Civil Code of the Russian Federation. The authorship, author's name, executor’s name, inviolability of the work and result of execution are protected by the rules of Part IV of the Civil Code of the Russian Federation of the author or executor, regardless of providing legal protection of such results of intellectual activity at the time of their forming.
Copyright laws regulate the civil legal relations for using works of science, literature and art. Such relationships are formed as the result of the author’s writing his or her texts. In this case the author can rightfully claim copyright of the work.
The author has certain rights to reuse the work (see: “Ethical Aspects in Terms of Multifold Publications).
Licenses
All copyrights on the articles belong to their authors. The author transfers the rights on using the article the publisher.
PDF versions of scholarly articles of the journal PMN are published by using the license Attribution Non-Commercial No Derivatives cc by-nc-nd, allowing loading and distributing works on the assumption of indicating the authorship. The works may not be changed in any way or used for commercial interests.
Criteria for Authorship, Co-authorship
The term “author” refers to all persons (co-authors) who have made a substantial contribution to conducting the research and creation of the manuscript and responsible for its content. The person (author) who has submitted the manuscript to the editorial board shall bear responsibility for the complete list of the group of authors and the changes made to the manuscript in accordance with the results of the peer reviewing and editing.
1. Authorship is based on the following criteria:
1) The author made a substantial contribution to the research activity and development of concept, collected the data, made analysis and interpretation of the data.
2) The author carried out the writing of the text of draft articles and edited it attentively and substantially.
3) The author approved the final version of the article prior to its submission.
4) The author bears responsibility for the integrity of all parts of the manuscript.
2. The authors shall guarantee that the submitted manuscript is the original work.
3. Scholarly reviews for some issue or other should be objective, present material in a wide range and at the same time take into account the views of the author of the review.
4. The authorship of scholarly publications is obligated to reflect accurately the contribution of individuals to the research activity, with specific information about the authors.
5. The authors may not mislead the readers by publishing acknowledgements of gratitude to people who were not actually involved in writing the work. Other persons who made contribution to the work, but are nevertheless not the authors, may be listed in the rubric of “Acknowledgements,” with indications of the type and extent of their activities.
6. Authors are obligated to provide a description of their contribution to the publication.
7. The order of authorship must be a joint resolution of co-authors. The authors should be ready to explain the order of their enumeration and listing.
8. The authors shall be entirely responsible for the correct definition of authorship acting in accordance with the rules adopted in their institution.
9. Investigators must ensure that only those persons who meet the criteria for authorship (that made a significant contribution to the work), shall be considered the authors, and the researchers who do not merit authorship will be excluded from the list of authors.
References
2. Zima T. Yu. Russkoe muzykal'noe obshchestvo kak sotsiokul'turnoe yavlenie v Rossii vtoroy poloviny XIX – nachala XX vekov: avtoref. dis. … d-ra kul'turologii [The Russian Musical Society as a Sociocultural Phenomenon in Russia in the Second Half of the 19th Century and the Early 20th Century: Thesis of Dissertation for the Degree of Doctor of Culturology]. Moscow, 2015. 38 р.
3. Kupert T. Muzykal'noe proshloe Tomska (v pis'makh k A. G. Rubinshteynu) [Tomsk’s Musical Past (in Letters to Anton G. Rubinstein)]. Tomsk, 2006. 787 p.
4. Maksimenko V. Sem'ya Rubinshteyn i Odessa [The Rubinstein Family and Odessa]. URL: http://www. odessitclub.org/news_club/2006/1008.htm (15.10.2018).
5. Miroshnichenko S. V. Stanovlenie muzykal'nogo professionalizma v Odesse (dokonservatorskiy period): monografiya [The Formation of Musical Professionalism in Odessa (The Pre-Conservatory Period): Monograph]. Odessa: Astroprint, 2013. 228 p.
6. Orfeev S. D. Istoriya Odesskoy konservatorii (istoricheskiy ocherk) [History of the Odessa Conservatory (A Historical Essay)]. Odessa, 1963. 67 p. The manuscript is preserved in the library of the Odessa National Nezhdanova Academy of Music.
7. Rozenberg R. M. Muzykal'naya Odessa [Musical Odessa]. Odessa: Otdel oblastnogo upravleniya po pechati, 1995. 160 p.
8. Rozenberg R. M. Rol' IRMO v muzykal'noy zhizni Odessy [The Role of the IRMS in the Musical Life of Odessa]. Russkoe muzykal'noe obshchestvo (1859–1917). Istoriya otdeleniy [The Russian Musical Society (1859– 1917). History of the Sections]. Moscow, 2012, pp. 319–336.
9. Smetannikova A. Yu. The Rostov Branch of the Imperial Russian Musical Society: the First Decade of its Work. Problemy muzykal'noj nauki/Music Scholarship. 2015. No. 1 (18), pp. 89–94. (In Russ.) DOI: 10.17674/1997-0854.2015.1.18.089-094.
10. Yudina V. I. Iz istorii kul'turnoy politiki v dorevolyutsionnoy Rossii: Russkoe muzykal'noe obshchestvo vo vtoroy polovine XIX v. [From the History of Cultural Policy in Pre-Revolutionary Russia: Russian Musical Society in the Second Half of the 19th Century]. Vestnik Tomskogo gosudarstvennogo universiteta [Bulletin of the Tomsk State University]. 2011, pp. 81–84.
11. Polotskaya Elena E. Concerning the History of Education of Music Theorists and Composers in the First Russian Conservatories. Problemy muzykal'noj nauki/Music Scholarship. 2017. No. 4, pp. 100–107. DOI: 10.17674/1997-0854.2017.4.100-107.
12. Rovner Anton А. Contemporary Music in Odessa: the Festival “Two Days and Two Nights of New Music” in April 2017. Problemy muzykal'noj nauki/Music Scholarship. 2017. No. 2, pp. 72–77. DOI: 10.17674/1997-0854.2017.2.072-077.