The Russian Musical Society under Royal Patronage
Main Article Content
Abstract
The patronage of the Russian Musical Society from the Romanov imperial family presents an important but
insufficiently studied cultural-historical phenomenon. In pre-revolutionary historiography the picture of royal patronage
was demonstrated in an idealized vein, while all the negative sides were suppressed. During the Soviet period as the
result of the ideological orientations the attitudes toward this phenomenon were entirely negative and biased: its role
in the support and development of professional musical education in Russia was totally ignored. At the present time,
along with the disclosure of previously inaccessible archival sources, there appeared the opportunity to reveal in new
light the role of the royal patrons in the formation and development of the Russian Musical Society, its concert and
musical enlightening activities, personal aid to separate performers and composers and to musical ensembles. The main
aim of the present article consists in a complex characterization of the activities of the representatives of the grandducal
family of the Konstantinoviches, who during the course of thirty-six years fulfilled the functions of patrons and
took up the post of chairmen at the Russian Musical Society. The author analyzes the mechanisms of transmission of
the full commanding powers from one member of the family to another, and examines various administrative styles.
Methods of comparative source study are applied. The conclusion is arrived at that, depending on the situation and
on the conditions of affairs at the Russian Musical Society and the conservatories, the patronage tended to acquire
unexpected means of inactivation.
Keywords: Imperial Russian Musical Society (IRMS), royal patronage, the St. Petersburg Conservatory, the
Moscow Conservatory, Grand Duke Konstantin Nikolayevich, Grand Duchess Alexandra Iosifovna, Grand Duke
Konstantin Konstantinovich.
Article Details
Copyright
The rights on the results of intellectual activity and equated means of individualization are protected in accordance with Part IV of the Civil Code of the Russian Federation. The authorship, author's name, executor’s name, inviolability of the work and result of execution are protected by the rules of Part IV of the Civil Code of the Russian Federation of the author or executor, regardless of providing legal protection of such results of intellectual activity at the time of their forming.
Copyright laws regulate the civil legal relations for using works of science, literature and art. Such relationships are formed as the result of the author’s writing his or her texts. In this case the author can rightfully claim copyright of the work.
The author has certain rights to reuse the work (see: “Ethical Aspects in Terms of Multifold Publications).
Licenses
All copyrights on the articles belong to their authors. The author transfers the rights on using the article the publisher.
PDF versions of scholarly articles of the journal PMN are published by using the license Attribution Non-Commercial No Derivatives cc by-nc-nd, allowing loading and distributing works on the assumption of indicating the authorship. The works may not be changed in any way or used for commercial interests.
Criteria for Authorship, Co-authorship
The term “author” refers to all persons (co-authors) who have made a substantial contribution to conducting the research and creation of the manuscript and responsible for its content. The person (author) who has submitted the manuscript to the editorial board shall bear responsibility for the complete list of the group of authors and the changes made to the manuscript in accordance with the results of the peer reviewing and editing.
1. Authorship is based on the following criteria:
1) The author made a substantial contribution to the research activity and development of concept, collected the data, made analysis and interpretation of the data.
2) The author carried out the writing of the text of draft articles and edited it attentively and substantially.
3) The author approved the final version of the article prior to its submission.
4) The author bears responsibility for the integrity of all parts of the manuscript.
2. The authors shall guarantee that the submitted manuscript is the original work.
3. Scholarly reviews for some issue or other should be objective, present material in a wide range and at the same time take into account the views of the author of the review.
4. The authorship of scholarly publications is obligated to reflect accurately the contribution of individuals to the research activity, with specific information about the authors.
5. The authors may not mislead the readers by publishing acknowledgements of gratitude to people who were not actually involved in writing the work. Other persons who made contribution to the work, but are nevertheless not the authors, may be listed in the rubric of “Acknowledgements,” with indications of the type and extent of their activities.
6. Authors are obligated to provide a description of their contribution to the publication.
7. The order of authorship must be a joint resolution of co-authors. The authors should be ready to explain the order of their enumeration and listing.
8. The authors shall be entirely responsible for the correct definition of authorship acting in accordance with the rules adopted in their institution.
9. Investigators must ensure that only those persons who meet the criteria for authorship (that made a significant contribution to the work), shall be considered the authors, and the researchers who do not merit authorship will be excluded from the list of authors.
References
2. Zima T. Yu. Russkoe muzykal'noe obshchestvo kak sotsiokul'turnoe yavlenie v Rossii vtoroy poloviny XIX – nachala XX veka: avtoref. dis. … d-ra kul'turologii [The Russian Musical Society as a Sociocultural Phenomenon in Russia in the Second Half of the 19th Century: Thesis of Dissertation for the Degree of Doctor of Culturology]. Moscow, 2015. 39 p.
3. Konstantinovskie chteniya – 2009: k 150-letiyu so dnya osnovaniya Russkogo muzykal'nogo obshchestva: sbornik materialov nauchnoy konferentsii [The Konstantin Readings – 2009: Towards the 150th Anniversary of the Founding of the Russian Musical Society: Collection of Materials of the Scientific Conference]. Ed., comp. by I. F. Bezuglova. St. Petersburg: Russian National Library, 2010. 248 p.
4. Moiseev G. A. «Russkiy kvartet» v zerkale dokumentov Russkogo muzykal'nogo obshchestva i lichnogo dnevnika velikogo knyazya Konstantina Nikolaevicha (1870–1884) [The “Russian Quartet” in the Mirror of the Documents of the Russian Musical Society and Grand Duke Konstantin Nikolayevich’s Personal Diary (1870–1884)]. Muzykovedenie [Musicology]. 2018. No. 9, pp. 11–21.
5. Moskovskaya konservatoriya v proshlom, nastoyashchem i budushchem: sb. statey po materialam mezhdunar. nauch. konf. k 150-letiyu Moskovskoy konservatorii [The Moscow Conservatory in the Past, Present and Future: Collection of Articles on the Materials of the International Scholarly Conference for the 150th Anniversary of the Moscow Conservatory]. Ed., comp. by K. V. Zenkin, N. O. Vlasova, G. A. Moiseev. Moscow: Moskovskaya konservatoriya, 2018. 720 p.
6. Polotskaya E. E. P. I. Chaykovskiy i stanovlenie kompozitorskogo obrazovaniya v Rossii: dis. … d-ra iskusstvovedeniya [P. I. Tchaikovsky and the Formation of Compositional Education in Russia: Dissertation for the Degree of Doctor of Arts]. Moscow, 2009. 719 p.
7. Puzyrevskiy A. I. Imperatorskoe Russkoe muzykal'noe obshchestvo v pervye 50 let ego deyatel'nosti (1859– 1909) [The Imperial Russian Musical Society in the First 50 Years of Its Activity (1859–1909)]. St. Petersburg: V. Milstein’s Printing house, 1909. 48 p.
8. Rubinshtein A. G. Literaturnoe nasledie. T. 1: Stat'i. Knigi. Dokladnye zapiski. Rechi [Literary Heritage. Vol. 1: Articles. Books. Memorandum. Speeches]. Compilation, textual preparation, commentary and introductory article by L. A. Barenboim. Moscow: Muzyka, 1983. 216 p.
9. Sokolov A. R. Rossiyskaya blagotvoritel'nost' pod pokrovitel'stvom Doma Romanovykh [Russian Benefaction under the Auspices of the House of the Romanovs]. Dinastiya Romanovykh: traditsii blagotvoritel'nosti i metsenatstva: tezisy dokladov mezhdunar. nauch. konf. [The Romanov Dynasty: Traditions of Benefaction and Patronage: Theses of Reports of the International Scholarly Conference]. Moscow, 2013, pp. 20–21.
10. Taneyev S. I. Dnevniki, 1894–1909. Kn. 2 [Diaries, 1894–1909. Book 2]. Textual edition, introductory article and comments by L. Z. Korabelnikova. Moscow: Muzyka, 1982. 332 p.
11. Findeyzen N. F. Ocherk deyatel'nosti S.-Peterburgskogo otdeleniya Imperatorskogo Russkogo muzykal'nogo obshchestva (1859–1909) [A Study of the Activities of the St. Petersburg Section of the Imperial Russian Musical Society (1859–1909)]. St. Petersburg: Tipografiya Glavnogo Upravleniya Udelov, 1909. 240 p.
12. Chaykovskiy P. I. Polnoe sobranie sochineniy. V 17 t. T. 16-a: Literaturnye proizvedeniya i perepiska [Tchaikovsky P. I. Complete Works. In 17 Vol. Vol. 16-a: Literary Works and Correspondence]. Prepared by E. V. Kotomin, S. S. Kotomina, N. N. Sinkovskaya. Moscow: Muzyka, 1978. 376 p.
13. Botstein L. Patronage, Performance, and Scholarship. The Musical Quarterly. 2012. Vol. 95, Issue 4, pp. 451–458.
14. Bullock P. R. Piotr Tchaikovsky. London: Reaktion Books Ltd, 2016. 224 p.
15. Die Kunst der Mächtigen und die Macht der Kunst: Untersuchungen zu Mäzenatentum und Kulturpatronage. Hrsg. U. Oevermann, J. Süßmann, Chr. Tauber. Berlin: Akad.-Verl., 2007. 298 S.
16. Moiseev G. P. I. Čajkovskij und der Grossfürst Konstantin Nikolaevič Romanov. Zur Geschichte einer Wechselbeziehung. Aus dem Russischen von L. Braun. Tschaikowsky-Gesellschaft Mitteilungen 22. 2015. S. 3–36.
17. Music and Patronage. Ed. by P. A. Merkley. Farnham: Ashgate Publishing Limited, 2012. 598 p.
18. Musiker und Mäzene: Festschrift zum 150. Gründungsjahr des St. Petersburger Konservatoriums und zum 20jährigen Bestehen der Gartow Stiftung: [1862–2012]. Hamburg: Gartow Stiftung, 2012. 303 S.
19. Sargeant L. Harmony and Discord: Music and the Transformation of Russian Cultural Life. New York: Oxford, 2011. 354 p.