Musical Lexicography of Scenes and Images of Musicianship in the French Suites by J.-S. Bach
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Abstract
The musical content of the French Suites by
J. S. Bach comprises the repeating plots representing
the heroes — participants of numerous
scenes-performances. In the keyboard music,
various genre and plot interrelations create a
very complicated and exciting interaction of virtuoso
soloists and, eventually, there arises a dialogue
between the soloist and the whole instrumental
ensemble. The article analyzes certain
signs arranging the plot contexts of the ensemble
scenes in performances of the Baroque period.
Based on this analysis, the author arrives
at the idea of the "author's text" of the keyboard
composition as an original scenario for
performance.
Keywords: performance art, Baroque period music, J. S. Bach, musical semantics
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