On Olivier Missiaen’s Texts and Comments to His Piano Cycle Vingt Regards Sur l’Enfant-Jésus
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Abstract
Messian's texts to the cycle Vingt regards sur
l'enfant Je' sus include both descriptions which
precede each movement and a variety of commentaries
and remarks in the body of music.
In these commentaries Messiaen sketches out
the main characters of the cycle, their feelings
and sensations, primary narrative planes, and
the actions that take place in the cycle. What
makes the texts even more interesting is that
Messiaen defines the quality of the musical
material, the manner of his musical technique,
and the instrumental timbres. A unique feature
of the cycle is that the description of absolutely
different phenomena and the way these different
phenomena are realized in music create
an invisible, divine mystery of this cycle.
Keywords: the 20th century music, piano cycle, the author’s commentary, music by Olivier Messiaen
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References
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