Specific Melodic Construction of Sextets for the Wind Instruments by François-Joseph Gossec
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Abstract
In this article the study is concerned with the principles
of interaction between two melodic types-polyphonic
and homophonic-by the examples of Francois-Joseph
Gossec's instrumental works. A special approach to the
melody of French baroque has been proved to be a necessity
due specific "multi-voiced" interpretation of this term
in the treatises of that time within the framework of
polyphonic styles (strict and free styles), as well as natural
peculiarities of the style, which is early in the formation
of homophonic melody.
Keywords: music history, Fr.-J. Gossec, music for the
wind instruments, French music, French Baroque, melody,
texture
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