The Role of Timbre in the Heterophony of the Indonesian Trance Act Reyong Ponorogo
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Abstract
The article describes the role of timbre (timbre-form)
in the Gamelan's heterophony of the Indonesian trance act
Reyong Ponorogo. The author comes to a conclusion that
there is the interaction of the timbre-form parameters with
other means of music expression. This principle corresponds
to the principle «all in all» (proposed by Feohar
H. Kessidi), characteristic of mythological thinking.
Keywords: ethnomusicology, Indonesian gamelan,
heterophony, timbre-form
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