New Rituality: Interaction of Opus-Music and Traditional Art
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Abstract
The article is dedicated to one of the most important
phenomena of contemporary musical art, to new rituality.
Creation of the sound image of the pre-Christian rite and
modeling of the ritual chronotop are interpreted here in
light of interaction of author's and traditional art.
Comparisons of new rituality with different manifestations
of the extatic in traditional and contemporary cultures
reveal many value and structural parallels. The study of
rhythmic organization of musical works allows to emphasize
the three main principles for the reconstitution of the
ritual chronotop: symbolic interpretation of the percussive
rhythm-timbre, non-classical methods of realization of metric-
rhythmic pulsation and specific forms of variant repetitions.
Keywords: new rituality, musical post-avant-garde,
musical rhythm of the 20th century
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References
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