«Chamber» clavier sonatas of 1780–1790 by J. Haydn: to the problem of genre and style interaction
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Abstract
This article describes the genre and style interaction in a number of
late keyboard sonatas of Joseph Haydn. Interactions mentioned in the
article are considered on the examples of separate movements,
composition of the sonata cycle as a whole and also in respect to the
specific character of the “chamber” style of Classicist period. The author
offers an evaluation of Haydn’s contribution to clavier sonata genre in
the late 18th century.
Keywords: musical classicism, Viennese classics, keyboard sonatas
of Joseph Haydn, sonata cycle
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References
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