Russian Historic Opera of the First Half of the 19th Century: to the Question of Formation of a Genre
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Abstract
This article is dedicated to the history of formation and the poetics
of the genre of Russian historical opera of the first half of the 19th century.
For a new aspect of study of this genre, the author suggests the idea of
reading of artistic texts of the opera in the context of spiritual paradigm
of the epoch on the example of Askold’s Grave by Verstovsky and Life
for the Tsar by Glinka.
Keywords: history of music, Russian historic opera, poetics of opera
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