Alexander Tchaikovsky’s Symphony-Concerto for Bass-Viola and Orchestra in the Context of Postmodernism
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Abstract
The article is devoted to one of the best compositions by a wellknown
Moscow composer Alexander Tchaikovsky (1995). In order to
describe adequately its musical text, the author has chosen the
postmodernist approach and, more precisely, the concept of nomadology
of Gilles Deleuze and Félix Guattari. Formation of meaning in a genre
system of dramatic composition is interpreted by taking into consideration
the intertextual installations.
Keywords: A. Tchaikovsky, symphony-concert, symphonic cycle,
musical postmodernism, nomadology, simulacrum
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References
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