Choral Works of S. Gabyashi and S. Saydashev
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Abstract
The article provides the characteristics of choral works of Sultan Gabyashi and Salikh Saidashev – composers who stood in the beginning of the Tatar professional music. On examples of their works, the author reveals the variety of approaches of these composers to the creation of choral polyphony in the Tatar musical culture.
Keywords: the national composer, pentatonic, anhemitonic, choral polyphony, monody, baiet
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