The Art of Domra in the City of Magnitogorsk
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Abstract
The paper is dedicated to the matters of initiation, establishing and progress of domra playing art in the city of Magnitogorsk, the industrial center of the South Urals, which experienced the rise of the musical culture in the 1930s. The author emphasizes the role of amateur performances on domra in bands and orchestras of Russian folk instruments and provides the information concerning numerous musical ensembles and their leaders.
In addition, the author studies the ways of establishing skills, training of playing the domra, and introduces the names of the teachers who pioneered domra performances in the region.
Keywords: musical culture of the South Ural Mountains, instrumental prformance, Russian folk instruments, domra performance
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