On Semantics of Instrumental Cadenza’a in Music of the 18th-20th Centuries: to the Question of Evolution
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Abstract
The article is devoted to the evolution of figurative content of cadenza’s, especially their new types, arising in 19-20th centuries, such as cadenza as a separate part of the cycle, and cadenza as a separate musical piece.
Keywords: instrumental cadence, musical semantics, instrumental concerto
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