On the Program Aspects of Metre and Rhythm in I. Rehin’s Cycle “24 Preludes and Fugues for the Guitar”
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Abstract
The article is devoted to the problem of metric-rhythmic organization in I. Rehin’s polyphonic cycle “24 Preludes and Fugues for the Guitar” (1985-1990). The analysis of the features of the metric organization within the limits of the structure of the whole, and also the rhythmic contents of its separate components is presented in close interrelation with the questions of aesthetics. Among them dialectics of space and time, the feature of its artistic vision in the contemporary conditions.
Keywords: I. Rehin, cycle, metre, rhythm, time, space
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