Sonata and Chorale: on Synthesis of Form in Organ Sonatas of Mendelssohn Bartholdy
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Abstract
The article is dedicated to the relationship of chorale and sonata forms in the Six Sonatas for Organ by Felix Mendelssohn Bartholdy. The author discusses the transformation of chorale melodies in the context of fugue and sonata forms and creation of the genre of chorale sonata.
Keywords: chorale, sonata, organ, Mendelssohn Bartholdy
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