Theological Concepts in the Work of Olivier Messiaen
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Abstract
The article considers the impact of neo-catholic theosophy on worldview and artistic concepts of the twentieth century of Messiaen compositions (G. Marsel, Th. de Chardin, H. Beck and other theologists). The author demonstrates that Messiaen positions himself as a proponent of ideas, doctrines and the miracles of the Christian faith, “the man” of the Tradition by presenting the concept of religious-philosophical tragedy with the area of Divine Enlightenment in the final movement. The leading level of his compositional dramaturgy is philosophical-symbolic. It reveals the signs and symbols of Christian faith. For its evocation the author uses both canonical and non-canonical resources. Catholic paradigm of the neo-Thomism admits such a complex synthesis of the expressive resources of different millennia for the sake of Faith concept and Christian Church-Love triumph.
Keywords: Christen Tradition in music, transcendence, liturgy, symbol вмузыке, mystery
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