The Problem of Minor Mode: a Historical Approach
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Abstract
Phenomenon of (major-minor) inflection has been considered for a long time a feature of sonorous material in music, therefore minor was regarded as the issue of acoustic research aimed at explanation of minor triad. In fact, the sense of inflection is a function of musical mentality which emerges during the evolution; thus, a reasonable approach to this issue should be the research of its origin. In the modal harmony of the 16th century a minor was formed as a precursor of classic tonal minor.
Keywords: musical-theoretical systems, minor, plagality
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