On the Border of Periods and Styles: the «Stylistic Modulation» in Early Music of O. Eiges
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Abstract
There has been a sharp change of artistic styles at the turn of the 20th century. This applies to both European and Russian traditions. The aesthetic principles of the epoch of Romanticism and its symbolist concept of art have given an impetus to avant-garde and a neopositivistic aesthetics. Article is devoted to the study of influence of this general process on evolution of creativity of the Moscow composer of O. Eiges (1905-1992). In the center of author’s attention lies harmony of his early piano sonatas.
Keywords: harmony in music at the turn of the 20th century, sonatas for piano, Oleg Eiges
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