The Signs of Quasi-Orchestral Score in the Keyboard Music of Beethoven
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Abstract
This article addresses the issues of study of a semantics of musical text organization of piano pieces by Beethoven and describes the attributes of the quasi-score: the acoustic images of the orchestral instruments, the grammatical structure – the dialogue of orchestral etymology and their semantic functions.
Keywords: musical semantics, quasi-orchestral indications of keyboard composition, piano pieces by Beethoven
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