Acoustic Images of Musical Instruments in Keyboard Sonatas of D. Scarlatti
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Abstract
In this article the keyboard sonatas of D. Scarlatti are studied in the context of ensemble music-making traditions of the Baroque. The composer's Urtexts are analyzed from positions of quasi-score properties of keyboard compositions of the 17-18th centuries. The author reviews the instrumental clichés, fixed in 2-stave clavier notation of D. Scarlatti's sonatas. Also, the author presents those possibilities for development of contemporary performing which are offered by a transformation of the Baroque keyboard music into ensemble and orchestra scores.
Keywords: D. Scarlatti, Baroque keyboard music, score, sonata, ensemble music-making traditions of the 17th century
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