Author’s Monogram in the String Quartets of Béla Bartók
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Abstract
The article is devoted the insufficiently studied question of inclusion of the author's monogram in the pitch system used by Béla Bartók. The author traces the influence of the given sound complex on harmony and tonal structure of Bartók’s string quartets. It is proved, that various and consecutive use of the monogram in all quartets promotes their association into a macrocycle.
Keywords: music monogram, quartets, Béla Bartók, pitch organization
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References
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